Exhibition Catalog
Kaili, Guizhou, China
2025
Through triple-weaving practice, heeh explored the multisensory linguistic experiences within multi-ethnic communities, alongside their embedded spirit narratives and pluriversal cosmologies. Where mist embraces soil, the voice from the street market chats to ritual hymns and mountain songs, people converge and co-be. Our focus centers on the "embodied knowledge" carried by non-written languages—a linguistic form perceivable only through participatory practices like chanting and dancing, whose essence lies in body-memory and collective imagination. Building on fieldwork and interviews, we will facilitate body workshops using devising methods to study embodied expression. Meanwhile, experimental ethnographic films trace the translation of language into bodily form, summoning cosmic spirits in the liminal space between documentary, memory, and oneiric language.
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Video Art | Ethnographic Fiction
The Love of Fog emerges from field research and visual ethnography conducted in Xiangxi, the mountainous western region of Hunan Province. The work investigates local rituals, ghost stories, and the layered textures of cultural hybridity. Rooted in a series of news reports, reflects on a post-pandemic tragedy: a group of Chinese youth who traveled to Zhangjiajie with the intent to jump off its cliffs. Through a montage of Xiangxi ritual performances, footage of jiangshi—the hopping vampires of early Hong Kong horror cinema—and viral internet videos, the film examines the fraught relationship between the anomalous body and modern control mechanisms. At its heart is the motif of fog: both a narrative device and a visual force. Within the cosmology of local witchcraft, fog serves as a medium of transformation, dissolving the boundaries between the human and the monstrous.
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2025,
The fragmented bones of an unidentified creature are sewn into a long ritual scroll. The sacrificed sweet offerings and broken bodies remain in the borderlands—part human, part ghost, part beast, part deity serve as intermediaries between systems, transmitters of nonhuman information, and sensory channels for collective dreaming, vessels for long-suppressed fears to unravel.
This work is part of O! Great Ghost Tales (2024-), an ongoing long-term interdisciplinary project rooted in field research and visual ethnography conducted in Xiangxi, the western mountainous region of Hunan Province. The research focuses on the relationship between local rituals, marginal sensory narratives, and contemporary visual culture.
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Exhibition Catalog
IVAM, Instituto Valenciano de Arte Moderno
1992
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Exhibition card
Kunstmuseum Basel
1975
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Exhibition card
Victoria Miro London
1987
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Exhibition card
Moderne Kunst Dietmar Werle, Köln
1986
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Exhibition card
Kunstverein für die Rheinlande und Westfalen, Düsseldorf
1998
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Exhibition card
Galleria Sperone Torino, Gennaio
1972
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Exhibition card
Yvon Lambert Paris
1973
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Exhibition card
Le Musée de Valence
2025
heeh在抱朴驻地项目中，通过三重编织实践探索多民族聚集地的多感官语言经验，及其蕴含的鬼神叙事与多民族宇宙观。从市集低语、仪式吟诵到山野歌谣，在云雾与土地的共生地带，人群聚集并共在。我们将重点聚焦于无文字语言所承载的“体化知识”（embodied knowledge）——即需通过亲身参与吟唱、舞动等实践方能感知的语言形态，其本质是身体的记忆与集体想象的构筑。基于田野调查与访谈，我们将借鉴剧场共创 (devising) 的方式进行身体工作坊，学习具身化的语言表达；同时，我们将通过拍摄实验民族志影像，捕捉语言与身体之间转译的过程，在记录、记忆与梦境的语言之隙使宇宙神灵复现显影。
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A Walk in England
Exhibition card
1974
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Exhibition card
John Weber Gallery, New York
1987
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Exhibition card
Serpentine Gallery, London
1991
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Exhibition card
Konrad Fischer Galerie, Düsseldorf
1974
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Exhibition card
Annely Juda Fine Art, London
1993
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Exhibition card
Konrad Fischer Galerie, Düsseldorf
1978
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Exhibition card
Van Abbemuseum, Eindhoven
1985
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Exhibition card
Konrad Fischer Galerie, Düsseldorf
1972
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